I don't like Glee.
I don't like the writing. It's the worst writing on TV. It's the worst writing that has ever been on TV. My three year old daughter tells stories that are more engaging with more depth and meaning to them, and my daughter tells stories about Wookiees and princesses and pirate bunnies.
I don't like the characters. Every character on that show is one dimensional, dumb, and annoying. One of them does remind me of an old friend, but she's like an annoying version of my old friend. Every character on that show is a moron, save Sue Sylvester, and she gets a pass largely because Jane Lynch is amazing. She deserves better than that lousy show.
I don't like the music - in general. I enjoyed the Rocky episode, despite the changes they made, and they usually give me one good song a week. Last week was "I Know What Boys Like." The week before was "Fat Bottom Girls." Not enough to make me a fan, but enough that I don't leave the room when my wife watches it. Yes, she loves it.
I'll tell you what I hate most about the show - I hate relating to it, especially to the spineless, self-esteem-deficient glee club director. Seriously, I don't even know the character's name. I don't care. He annoys me. And I get even more annoyed when I relate to him.
When sports coaches make their practices mandatory, thus causing them to miss MY practices, I can relate to that guy. And nothing is more annoying than that.
I know a lot of genre fans are grumbling about V not being all it could be. They have a point, but let's face a few facts: the source material wasn't exactly high art either. In the history of great genre TV it's well below Lost, Star Trek, and the original Battlestar Galactica. The original V was b-movie grade entertainment - and that's why we loved it. The new series has better effects, better actors, and deeper themes - though not necessarily better scripts.
I loved the old series, and I love the new show. I love the timely themes about politics and social issues. I love the timeless themes steeped in philosophy and religion. I love watching the parallels between Anna and Erica, two strong mothers struggling to impose their dreams and plans on their teenage children.
More than anything, I love watching the sleeping dragon that is Diana week in and week out - and I love that they finally (at least to my knowledge) came out and said her name IS Diana. Diana made Anna look like the host of Romper Room. She was once voted TV's greatest sci-fi villain. I want them to set her loose so we can see what a true Queen V can unleash on mankind.
Character based humor happens when you set expectations and then meet them. The old improv game “Here’s Roger Now” is a great example of how this works. Three actors begin the scene discussing Roger and describing his many quirks. They create an expectation in the audience that is paid off when the fourth actor enters, playing Roger, and acts out the quirks that have been assigned to him.
Dan Harmon has taken this to a whole new level on Community. He’s created a delightful core of three-dimensional, fully-realized characters that his audience knows very well. Having done so, he can take those characters, drop them in any situation he wants, and make us laugh by hitting our expectations.
Community is a show that rewards its faithful viewers. It doesn’t matter if the characters are caught a post-apocalyptic paintball battle, facing off with over-achieving high schoolers, trapped in a space shuttle simulator, facing a zombie apocalypse, dwelling in a blanket fort city, or even playing D&D. We know who these characters are, and we have our expectations. Harmon and his staff repeatedly meet and exceed our expectations, giving us what we expect and in doing so giving us the unexpected.
The old rule about murder mysteries is that if you want a character to fire a gun in the third act of a play, you have to show the audience where that gun is in the first act. If you want me to laugh at your character, you first have to reveal who that character is. Once you do that, you can take them where ever you want. So long as you stay consistent, you're going to make me laugh.
Righteous Insanity is going to be on TV.
Not traditional TV, but Internet TV. Regardless, we have a TV program, and I'm excited and shocked all at once.
This all came together within the last month. Just Bill of WUCA radio in Kansas City, who had interviewed me a few months back about Clive the Zombie's film "Zombies R Friends," contacted me and told me WUCA was going to starting a TV station. As one of the programming directors, Bill had decided that Righteous Insanity should have a show.
Yeah. Did NOT see this coming.
So we're going to be producing a TV show this year to be shown on WUCA-TV. The Clive the Zombie Half Hour Comedy Hour will feature short films from Righteous Insanity and other film companies, producers, actors, and comedy groups. We'll be featuring shorts by Austin Nichols, Dija Henry, Christopher Shawn Shaw, and the notorious Sunday School Dropouts. We're also very happy to have the British comedy group Four Monks and a Nun on board.
Of course you can't have a good variety show without a charismatic host. So who else would we offer to our viewers but Clive the Zombie?
Much more news will be coming here and on our website as the launch date of February 19 approaches. We are very excited to be a part of WUCA-TV, to showcase our own work, and to put the spotlight on some friends and collaborators we admire.
Must watch annual Christmas viewing for me:
Die Hard
Die Hard 2: Die Harder
A Charlie Brown Christmas
Rudolph the Red Nosed Reindeer
Beavis and Butt-Head Do Christmas
Christmas Vacation
A Christmas Story
Bill and Opus: A Wish for Wings That Work
Amends (Buffy the Vampire Slayer, Season 3)
Stuff I don't have to see but I'll watch if I can:
Home Alone
Scrooged
Bad Santa
It's a Wonderful Life
Any Christmas movies with Muppets in them
The Married with Children Christmas episode with Sam Kinison - Ed O'Neil electrocuting himself still kills me
Stuff I have to see, SNL edition:
Mainway toys
Martha Stewart
President Ford
Tonto, Tarzan, and Frankenstein
Alec Baldwin on the Delicious Dish
The other ending to "It's a Wonderful Life"
That goofy song that Jimmy Fallon and Co used to do "One, two, three..."
The Hannukah Song
Will Ferrell puking on the turntable to "The Most Wonderful Time of the Year."
The Peaks fan in me has to come out once more today because that was AWESOME!
The "Dual Spires" episode of Psych was every bit as good as a Peaks fan could hope for. It was all there, the way it should be: the donuts, the pie, the coffee (cider), the owls, Waldo the mina bird, the giant, the white horse, the James Hurleyesque brooding teenager, the sheriff named for a president, Deputy Hawk, the diner, the dancing man in the red suit, Nadine's eye patch, the ceiling fan, Senor Drool Cup, the swinging traffic light, the melodramatic wailing over the dead body, Deputy Andy's sympathetic tears, Leland Palmer's white hair, the music, the Great Northern, the saw mill, and of course, the log lady.
The guest stars were perfectly cast and perfectly written. Sherilyn Fenn's character was pure Audrey Horne, and watching Sheryl Lee examine the body wrapped in plastic was nothing short of epic.
Huge kudos and thanks to the producers of Psych for creating such a great homage to one of the greatest TV shows ever.
I'm an award-winning writer and a director of drama, film, and fiction and the founder of Righteous Insanity..
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